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The Tale of the Lifesong

01 Jun

There is a song that drifts on the breeze through all the world. Its rhythyms are echoed in our breath, the music is caught in our laughter, hidden in our language, woven through our life. Singers reach for the melody, but it is too delicate to hold and too elusive to remember. As the Ages pass, so the Lifesong retreats under the sounds of our time, its potent beauty and danger ever more a mystery.

Few know how the Lifesong has shaped our world, for those who hear its tune would rather sing than write, and to grasp its tale we must go back, far back beyond our brief and incomplete history, to when the world was changing; when life was shadowed by a mighty legend.

The Riddler's Gift
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Second Sight
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“Utterly compelling … with a blistering climax.”
TERRY GRIMWOOD

 
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First review for Second Sight

26 Jul

Second SightSecond Sight just got a 5 star review!

A few advance reading copies of the new fantasy novel Second Sight went out last week. The first review has just come in from Samantha Shove:

“This book continues the promise of the epic fantasy laid down by Riddler’s Gift and follows the story with all the dry wit, humour, tenderness, magic, mystery and mayhem (actually there’s a hell of a lot more mayhem in this one, unsurprisingly considering where they’re travelling through) found in the first tale. Once again Hamerton’s writing pulls you deep into the story so you feel everything as they experience it, every victory and defeat, every moment of honesty and kindness, treachery and deceit, love and hate and most of all every moment of battle between Order and Chaos and of course the power of the Lifesong. Hamerton has definitely created a world and story to rival Tolkien’s LOTR (although this will always be the original and the best of the fantasy world) in all aspects of story-telling, character creation, other world creation and sheer epic-ness (not a real word, I know, nothing else would do). The only question left is…when oh when is the third instalment, so subtly alluded to by Twardy, going to be out?” > Read the full review on Goodreads
 

Developing creative consciousness for fantasy writing

25 Jul

Reading fantasy fiction allows us to dream in a very vivid way. Writing fantasy fiction takes the dreaming to another level. You are the dreamer who leads the dream, the creator of the dreamworld. It is the most powerful kind of meditation, an experience of controlled psychosis that results in a prolonged experience of altered consciousness. In this article I will examine ways in which you can induce the receptive state, how you can deepen the intensity of the dream, and how to hold onto the vision for a more profound writing experience.

1. Hearing the music of the mind
Consider music. It is a patterned structure of sounds which you follow in your mind. You find pleasure and enlightenment by following the composer’s creation. The further the musical piece takes you outside of your body, beyond the mundane world, the greater the enjoyment. A masterpiece lingers in your mind leaving you with an altered sense of reality, if only for a while. You believe wonderful things are possible. You are inspired.

Fiction is very similar. Critics who insist on moral instruction, political messages or historical fact miss the musical aspect of writing altogether. A novel is a composition, a concert of ideas, a melody of story played within an orchestra of dreams. It is woven in a particular way by the author to bring about the mental crescendo and ecstacy. Some scornfully label it escapism, as if that means it is less worthy of literary merit than a stuffy book of factual realistic torment. I see escapism differently. If a book is capable of transporting me to escape my reality, then it is a mighty success. In a good novel you get to experience things beyond your world and in some delightful way your power of imagination can be challenged, you can be gripped by raw emotion, and you can find release.

As a writer, the deeper you can sink into the dream you are creating, the more powerfully this music of the mind comes through. Listening for it often means forgetting what you are trying to write (the plot) and to become swept away by the visions (the passion).

As you try to record your visions, you can enhance this receptive mental state by following the principles mentioned below.

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Wicked fantasy author interview

25 Jul

This interview was conducted in June 2007 by Something Wicked Magazine, when Viane Venter talked to Greg Hamerton about The Riddler’s Gift.

The average South African ‘best-seller’ comes in at just 4000 copies, and with writers typically seeing less than 10% of the returns, it’s anything but a get-rich-quick profession. In a market of ‘serious’ and ‘worthy’  novels, fantasy fiction is an even tougher nut to crack, but there are some hungry young newcomers who plan to do just that.

Greg Hamerton is the author of Beyond The Invisible and a guidebook for Paragliding South Africa. This year sees Greg’s fantasy debut with the release of the first tale in the Lifesong series, The Riddler’s Gift.

How did you become a writer?

Writing didn’t even feature on the radar when I was at school. It was never presented as a possible occupation. I did a B.Com to do the whole ‘go out and get a sensible job’ thing, which helped quite a lot in fact. It hadn’t entered my consciousness to become a novelist. I eased into writing with magazine articles on extreme sports and once published, I started enjoying seeing my own words in print. I progressed to Beyond The Invisible, which is half autobiography and half fiction. It was a natural first step to draw on my own experience. Writing is a merciless profession to go into though – that’s probably why they didn’t tell me about it at school, and writing non-fiction now seems like a school project by comparison to a novel. It’s also a lot easier to sell, because it’s specialist information that people attach a value to. Fiction is a really tough market to crack until you move into the tens of thousands.

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Free books for Goodreads winners!

22 Jul

I’ve had a fantastic response from the community of readers on Goodreads. I started a competition two weeks ago, to spread the word about the upcoming release of new fantasy novel Second Sight. Today was the draw, and 812 people entered! Seems like everyone wants a copy. Five lucky winners will soon have their free books.

It’s a great system … I (hopefully) get some enthusiastic reviews of the book to help the publicity, and readers get the kind of books they are interested in.

If you’re not already on Goodreads, why don’t you sign up? It’s a simple process and is free. Once you’re in, you’re looking for something like my giveaway below (the draw is over, but it will take you through to the site and you can start from there). See what’s on offer this month by going to find books > giveaways.

Goodreads Book Giveaway

Second Sight: Second Tale of the Lifesong (Hardcover) by Greg Hamerton

Second Sight

by Greg Hamerton

Giveaway ends July 22, 2010.

See the giveaway details
at Goodreads.

Enter to win

Today’s winners are: Susan Mann, Evan Paul, Cynde Mitchell, Ricci Groomes and Jolene Bitton.

Well done! You’ll get your books just as soon as the mailman from Oldenworld arrives on his horse…

 

Useful books for writers

15 Jul

AC&Black, Writer’s & Artists Yearbook
The complete directory of all the agents and publishers in UK (and also USA).

Carole Blake, From Pitch to Publication
Understand what an agent does and how the whole process of manuscript submission works.

Strunk and White, The Elements of Style
Write better. Simpler. Without extra words.

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A reading of Second Sight

13 Jul

Sometimes, it is really lovely to be told a story. I recorded an audiobook of The Riddler’s Gift, which plays out over 22 hours. But I’m not planning an audiobook for Second Sight, because of the many tricky voices and dialects involved in the story. I think I need the professionals on this one, to do it justice. I’m happy to offer you a reading from the first chapter, nonetheless. Join me for a few minutes of fireside story-telling.




 

A reading of The Riddler’s Gift

12 Jul

Writing a fantasy novel involves years of silence, and talking to the small stone dragon on the top of my keyboard would probably get me committed to the loonybin. So I don’t utter a word, for a very long time. Now that The First Tale of the Lifesong is released, I’m delighted to share a few spoken words with you from the first chapter of The Riddler’s Gift.




 

Why is it so hard to get a fantasy novel published?

10 Jul

Most books within the fantasy genre are produced by a very few (big) publishing houses in the UK and USA. These are the houses that can afford to take the risk on large print runs because they have many other titles too. They also have significant advantages in economies of scale (cheap distribution, discounted printing, efficient representation to the stores). They produce a few fantasy titles (bad luck, authors) in big volume. Big volume is necessary for most kinds of book printing, but fantasy is the most critical, certainly within fiction.

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The Riddler’s Gift review winners announced!

09 Jul

Did you win a free copy of the new fantasy novel, Second Sight? Only 22 days to go! Thanks to all the readers of The Riddler’s Gift who sent in their short reviews as part of the Readers’ Review Competition. Their names were collected in Twardy Zarost’s hat. I held a random draw today. It didn’t matter what you wrote: if you responded, you had a chance! My assistant was there to judge the fairness of the draw. He may be small, but he is tough and he has a sharp eye. He even caught a cheater.

Watch the draw and find out if you won one of five free copies of Second Sight. There’s also a hint for another way to win a free copy … but hurry, that givewaway only has 2 weeks to run!




 
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On writing a fantasy novel

05 Jul

A question and answer session on what it’s like to write a fantasy novel (written when the first tale in the Lifesong fantasy series was released).

Q : How long did it take you to write The Riddler’s Gift?

A : Two years, full time. I find it impossible to write something with this scope in a ‘few stolen hours a day’. So I didn’t work on anything else for two years. It gets easier when you’re isolated. On a normal writing day I’m in my writing room by 8am and I don’t come out until 5pm, sometimes later. There’s no telephone in there, no internet connection. Just the white page, and the blinking cursor. If I don’t write, I know I’m in for a boring day.

Q : Does this ‘isolation style’ of writing put a strain on relationships?

A : Well, yes it does, at times I want to do nothing else than write. It’s a selfish occupation for most of the time. But my wife is my biggest fan, and she supports my writing immensely, so she’s happy to leave me alone in my eyrie. She does plead with me to read early drafts of the work in progress, but I don’t let anyone read those. It’s like showing someone a painting while you’re still mixing the colours on the canvas – it’s always going to be a poor reflection of what you’re aiming for.

Q : Where do you get your inspiration from?

A : Visions. For me it’s a process of being receptive. I meditate every morning at the beginning of my writing session, I try to dissolve my ego, to disappear as a conscious entity. It sounds kinda weird but it’s really just closing your eyes and letting go. Then I shift my awareness towards Eyri, and see where I pop up. I write what I see, no matter how ridiculous it seems.  I just try and be a witness, without judging.  Some days I’m on fire. Some days I just see the blinking cursor, and hear the rain on the roof. That’s why I’ve got to be there every day. I still don’t know when the inspiration will hit me, I can’t invoke it beyond just being in a place where I can use it when it comes.

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