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Archive for the ‘Book Marketing’ Category

Indie authors: is it worth joining KDP Select?

08 Dec

Amazon Kindle Fire tabletKDP Select is a new option that features a $6 million annual fund dedicated to independent authors and publishers. If you choose to make a book exclusive to the Kindle Store for at least 90 days, the book is eligible to be included in the Kindle Owners’ Lending Library and you can earn a share of the fund based on how frequently the book is borrowed.

Before you get excited about the value of the payout dangled in front of your nose when you next sign in to your Kindle dashboard ($500k for December 2012) consider that you only earn a % of all ebook unit sales in the month, across all titles and genres. I have no idea what the total is, but I’d estimate at least 2.5 million ebooks are sold in a month through Amazon, in which case your titles will earn $0.20 per loan. Who knows how far out my estimate is? It’s not going to be a lot of library-loan royalty you’ll earn. You’ll get a bit more exposure, balanced by a few lost sales (see below).

The main benefit is: “In addition, by choosing KDP Select, you will have access to a new set of promotional tools, starting with the option to offer enrolled books free to readers for up to 5 days every 90 days.”

Presently, setting the zero price point is awkward, relying on Amazons bots to price-match your free book on Smashwords, but this is impossible to coordinate as the Smashwords system has random delays, and Amazons price-matching is not immediate or limited to one day. Being able to run a dated promotion is useful, if you’re into that kind of promotion. I suspect there are more ‘promotional tools’ coming. Amazon is good at selling.

What Amazon demands in return: EXCLUSIVITY.

Ewww. How can this be a good thing for a digital product?

For me, it’s not such a big deal. My experience is the sales via Smashwords (Apple, Barnes and Noble, Kobo, Sony) account for less than 6% of the market. I hate limiting the availability of my book, but doing so focuses the retail attention in one place, which helps my Amazon sales rank a little, which in turn helps sales. It also simplifies the process, because I don’t have to deal with different formats, uploading platforms, tracking sales and reports. Every outlet has a management cost and introduces its own complexity.

Because most of the big publishers won’t join this program at first, it offers participants increased visibility in the Library, if only for a few months. I expect the royalty from loans will offset the few lost sales. Those who can move fast will be in the Kindle Lending Library first. I foresee a flood of indie authors and small publishers trying to remove titles from Amazon’s competitors’ catalogues, just as the peak retail weeks hit…

The odd effect this might have is that all those who don’t sell much on the other platforms will shift to be exclusively on Amazon. It’s the slush rush. The traditional published books will remain on B&N.

I’d like to test out the ‘promotional tools’, so I just ‘opted out’ of all etailer channels on Smashwords. They update their feeds today (being a Thursday). Who knows how long it takes for every etailer to pull the title off their digital shelves? Until all of them have updated, I’m in limbo … I don’t yet have the advantages of being on KDP Select. Yeah I could click on ‘enrol’ without waiting for all competing sales channels to be eliminated, but Amazon’s bots are pretty active and the gorilla sounds pretty serious about the penalties, the worst one being ‘removal from the KDP program’. That would be a death knell for any indie author, although I doubt Amazon would ever use that on a title that is selling and making them money.

It remains to be seen if this is worth the sacrifice. It feels creepy to agree to anything ‘exclusive’ in the digital age. But I’m telling myself it’s only for 90 days, and if it doesn’t work I’ll pull the plug without having lost much. I suspect Amazon will provide (just) enough candy to keep me at the party. With digital publishing, it’s important to catch the new wave, and I want to maximise my Amazon presence because it drives 94% of my digital sales.

It’s a clever move by the market leader that will no doubt have blogs boiling around the world.

Will it help indies shift more books? I’ll let you know.

———————–

[edited on 12 January 2012]

Yes. It works!

Got a pleasant surprise from Amazon this morning … I’d enrolled my books in the Amazon Select (Library) scheme, thinking it would make a few pennies. Well it’s more than that. Amazon’s author’s fund ($500,000 per month) is divided by all the library loans (295,000 in December). I had 100 loans, so got $170. Neat hey?

My calculations were ten times too small because I’d estimated the payout based on all ebook sales instead of only the books in the Select scheme. I expect the amount I receive will halve every month as more authors sign on.

Yes, the catch was I had to make the book available exclusively on Amazon. But the lost net sales from the other outlets was far less than that for the month.

I guess that some of the loans might have been potential sales, so in a way you’re cannibalising your own market and accepting a slightly lower royalty, but I would presume that most of the loans are people that see the book on the library shelf, or only try it because there’s zero price friction, rather than buyers who tried to save money by loaning titles they wanted to buy (they only get one a month).

Amazon have been clever at introducing the free promo days tool. Free days definitely boost sales, but the only way to force the price to zero on Amazon in the past was to sign up to Smashwords as well, and set the price to $0.00. When Amazon’s bots discovered this they price-matched your Kindle book. Although this was technically breaking the terms of your sales contract (you promise not to make it available anywhere else cheaper) because this could be out of your control (etailer discounting) it had to be allowed. So Amazon’s restrictive policy of a minimum $0.99 price was causing authors to distribute their ebooks elsewhere. Now, the incentive to go elsewhere is limited because you can achieve most of what you want using only Amazon.

Sure there are pros and cons, but overall, joining the KDP Select program has been a success for me. If you’re an author, I’d recommend you join the program or get your publisher to do so. If you’re a reader with an Amazon Prime account, check out what you can loan, for free, while still supporting your favourite authors.

 
 

The ‘free digital attack’ for new fantasy authors

19 Oct

Jack The Ripper Pumpkin sketchWhen you’re just starting out as a new fantasy author, publishing can seem like approaching a dark pit guarded by monsters. The harder you try the bigger the monsters become. As an author and small publisher I get approached regularly for help. Here’s a real email that might represent your state of mind:

Good Day,

My name is Jessie and I have completed and edited my first fantasy manuscript. Well, the manuscript was edited by someone else. I also had someone proof read it and they found two spelling errors in the entire ms.

What I would like to know is do you assist story tellers in publishing their manuscripts? Do you offer helpful advice and contacts? Clearly being a first time writer I would need assistance in this here new waters. I have read what you have to say on your web page and quite honestly it scares me into a coma. It has taken me a long time to search the murky depths of my eccentric little soul to find what it is I want to do for the rest of my days and I can honestly say that story telling is it.

I believe my manuscript is good enough to be read by others and I cannot wait to get book 2, in the planned trilogy, finished. What would your advice be and who would you recommend I send my manuscript to? As you do admit that publishing fantasy novels is kind of difficult!

Kind Regards
Jessie K

Greg Hamerton | fantasy authorHello Jessie

I know exactly how you feel, but sorry, there’s no easy road in.

I don’t provide mentoring or publishing support because I can’t afford to. What’s on my author website on How to find a fantasy publisher is the best overview I can offer. With the state of play right now, I’d say you need to get your hands dirty and consider the ‘free digital attack’ method for new authors.


 

THE FREE DIGITAL ATTACK

 

  1. After writing your book, write a 25,000 word standalone PREQUEL that will get people hooked on the world/idea/main character. Think of it as a written book trailer. Edit it, check it, polish it. Pay a book designer to make a cover image. 
  2. Put it on Amazon Kindle for $0.99 and on Smashwords for FREE (yes, $0.00). That should pull the Amazon price down below its minimum to $0.00 (it price matches). 
  3. Put the main manuscript (with a similar but different cover image) on Kindle and Smashwords for $0.99 for a few weeks. 
  4. Google for review blogs and get some reviews. Join Goodreads as an author. Actively promote your work (there are many blogs with advice for self-publishing/promotion). That’s your market research. If the freebie+book don’t get lots of downloads, the concept you’re labouring over is unpopular. So stop right there and work on ANOTHER fantasy book, a different world, or your writing itself. I’m trying to save you from a long time of working on the wrong series, or wasting time chasing the 1 in a million publishing contract. You first need to really know what kind of fantasy thousands of people are interested in reading now. 
  5. Rinse and repeat. Having many titles helps your digital sales. If any title hits the bestseller lists (Top 20 in Fantasy, say) then price it at $2.99-$5.99 (at 70% royalty) and finally you can begin making a little money, and more importantly, you raise the expectations of quality. But first it must be discovered by enough people to be well-ranked and reviewed. Hence the free digital attack.

.


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If you can’t face doing all that yourself, you’ll need to find a small publisher who will. Go very slowly and carefully through the web, considering only publishers who encourage submissions and list authors who vouch for their publisher, because in this space be dragons. I don’t know who to recommend as I don’t use any of them. But they do exist.

If you get 20,000 Kindle sales or so for any one title, you can pitch the manuscript to the list of fantasy agents I have on my site. Big publishers are your only real chance at getting a printed fantasy book successfully into the market. Digital sales won’t jeopardise your chance of a contract. They are hard proof of demand.

That’s a basic game plan with the state of the market today. Of course there are variations, and new methods that develop all the time (it’s digital, it moves fast). There are thousands of authors doing this. It will take time to build awareness of your writing, but great writing will rise to the top. The good news for us is that digital reading is exploding, so there are more readers looking for ebooks.

As authors we’re all in this together.

Good luck,
Greg Hamerton

 

How much editing is too much?

14 Feb

When you write a book about Chaos, you've gotta expect things to get a little weirdI’ve read some beautiful fantasy stories written in strange ways. I think that if the story is great, readers care less about odd grammar and minor typos.

Surely it’s important have a clear voice, but how long should one spend chasing the lost apostrophes in a 650 page epic fantasy novel? Sometimes you need a stray one to fix a wasnt.

It’s possible to become obsessed with making the perfect product, but the premise and style will make or break a fantasy book (see Great ideas sell fantasy books). I’ve spent months editing a manuscript, used a professional editor and a second proofreader and still ended up with typos. Typos in my own books drive me nuts, yet no readers have commented on them (yet! Go on, there’s one over there… but you won’t find it in the ebook any more).

When I worked on The Riddler’s Gift and Second Sight, I became obsessed with editing because there was a traditional print run involved, so there was no opportunity to change the words after publication. In the brand new world of fantasy ebooks, it makes sense to limit the editing to a good final draft and put it into the market to see if the story itself is attractive enough to justify professional copy-editing.

If it starts selling in significant numbers (thousands), the story earns the budget for some obsessing to make a second edition. For self-published or small independent publications, that may well be the point where it gets snapped up by a large commercial publisher anyway. As errors are discovered, the corrections can be incorporated into updates. This strategy of releasing improved editions is quite normal in non-fiction, but is a fairly new idea for novels.

The flaw in this kind of thinking is that as a writer, I can’t release a new fantasy novel in the first place until it’s as good as I can make it. You will always get my best work because I care too much about the story to let it go to the ball in dirty clothes. But as the price of digital content falls, there is ever greater pressure to leave an inch or two of the ballroom floor unpolished.

What keeps the floor shining is the fact that as more readers and authors switch to digital, the advantage lies with books of high quality: it’s the only way to stand out in a market absolutely flooded with content. Your book has to be exceptional, which means applying higher editorial standards than ever before. High-quality ebooks are produced most efficiently by writers who don’t need editing in the first place.

I think editing fiction as a discrete job will become obsolete as the industry of agents, publishers, distributors and bookstores collapses around a simple business model: Authors – Amazon – Readers. In this chain, the readers will set the standards. Exceed their expectations for a given price, and you can shoot straight to the top. Due to low prices, exceptional ebooks have the potential to be supersellers. The average ebook contains something like middle-grade English and more than a few typos. Writing significantly above that standard will lift you out of the masses, so edit until you really believe your story is perfect.

May the best writer win.

 

Amazon Kindle Book Lending – legitimised piracy or savvy marketing?

27 Jan

Is Amazon a pirate, or a savvy marketer?My fantasy series, The Tale of the Lifesong, has been available as an ebook via Amazon Kindle for six months. During this period, my Kindle ebook sales increased to the point that they now make up 20% of the average monthly sales (print and digital). Although the ebooks are available in other formats via Smashwords (Apple, Sony, Barnes & Noble, etc.) Amazon outsells the rest by a multiple of more than 10.

We live in exciting times. Ebooks are much more profitable for authors and publishers: the royalty is now around 60-70% and there are no logistical or print costs.

So the success of ebooks is a big deal, especially for new fantasy authors whose books are (a) long and (b) likely to be printed in a short run (until the market decides that you are the new J.K. Rowling, J.R.R. Tolkien or Robert Jordan) and (c) sold to an international market.

First, Amazon made it easy to publish directly via their excellent Kindle Direct Publishing system. Then they insisted on low ebook prices. Then they pummelled their customers with Kindle ads. And thanks to their free reader software, you don’t have to own a Kindle device to read a Kindle ebook. The future was looking bright for ebooks … until, at the end of 2010 I received a message from Amazon that stopped me in my tracks:



Dear Publisher,

We are excited to announce Kindle book lending (http://www.amazon.com/kindle-lending)[...] allows users to lend digital books they have purchased through the Kindle Store to their friends and family. Each book may be lent once for a duration of 14 days and will not be readable by the lender during the loan period.

All DTP titles are enrolled in lending by default. [...]

Sincerely,
Amazon Digital Text Platform



Borrowing an ebook? You get it from your friend, for free? How is that different to pirating?
Read the rest of this entry »

 

Who are the Top 10 Fantasy Authors?

01 Nov

I wanted a quote for my website from somebody familiar, to let newcomers know they’d come to the right place. Who is the biggest name in fantasy, I wondered? I know who I think have written the best fantasy books, but what does everybody else think? Who would know?

Google! I took some prominent fantasy authors and plugged them into Google’s excellent Keyword Tool, which reveals the global monthly searches on their names (and close variations). This is an unscientific method which might not correlate to book sales, but as an indicator of worldwide interest it’s great! These are the authors that people are seeking out on Google (and the approximate number of monthly searches):

Top 10 Fantasy Authors

Fantasy author Sir Terry Pratchett1. Stephenie Meyer (1,100,000)
2. JK Rowling (547,000)
3. JRR Tolkien (340,000)
4. Charlaine Harris (200,500)
5. CS Lewis (200,000)
6. Christopher Paolini (195,500)
7. Terry Pratchett (110,000)
8. Neil Gaiman (90,500)
9. Robert Jordan (50,000)
10. George RR Martin (49,500)

Soon to be Top 10 Fantasy Authors?

11. Terry Goodkind (40,500)
12. Philip Pullman (27,500)
13. Terry Brooks (22,200)
14. Robin Hobb (18,100)
14. Trudi Canavan (18,100)
14. Brandon Sanderson (18,100)
14. Patrick Rothfuss (18,100)

How surprising. Falling in love with vampires is more appealing than going to magic school or getting lost in mythology. I suspect that the film and TV industry has a lot to do with the Top 6, since each one has a major production, and George RR Martin is poised to shoot up the list with the upcoming HBO series for Game of Thrones. It’s great to see that even twenty years after their collaboration on Good Omens, Pratchett and Gaiman are side by side, but the Top 5 Fantasy Authors take about 3/4 of all traffic! Some of my favourite favourite authors, like Stephen Donaldson, aren’t even on that page! But then neither is Greg Hamerton … it’s a travesty ;-)

So whom should I choose as the voice of authority on my site? Well, my writing is an evolution from classic fantasy, influenced more by Tolkien, Robert Jordan, and Robin Hobb. So to help new readers quickly identify what kind of writing they could expect, I mentioned these names in the first line of my home page, but I still needed a memorable quote. I nipped onto Goodreads’ Quotes database. And there it was, the perfect quote:

“In the beginning there was nothing, which exploded.” Terry Pratchett

If Google has a sense of humour, Sir Terry would be ranked as #1.

 

Online marketing for fantasy novels

02 Sep

Effective book promotion and online marketing can make a big difference to building the brand of any new fantasy author. As part of my own efforts to publicise my fantasy novels, I’ve been studying graphic design and online marketing with the folks over at Sessions College for Professional Design. Highly recommended! Their courses don’t come cheap, but the content is detailed, relevant and very useful. This website was designed using principles covered in the course, and I’m knee deep in the Photoshop and InDesign modules now. Although studying graphic design takes a significant chunk of time out of writing new fantasy novels, it allows me to add a creative touch to my work which helps to make my books stand out from the crowd.

So this week I’ve been busy with banner adverts to go out on the Google network. In the past, people used to click on those flashing colourful boxes. Everything was interesting. Nowadays banners have become a low-impact kind of advertising, because people recognise the look of a banner advert and automatically ignore it, unless it’s really clever, compelling and eye-catching.

This is why it only makes sense to pay for banner ads when someone clicks through (Pay-per-Click). Then it doesn’t really bother me how many people have ignored the advert before I get my first click … what matters is how many ‘clickers’ go on to buy my books. So the words and images used in the advert must tie in very closely with what I’m trying to promote, or I’ll be paying for people who get to see my books and go ‘No, this isn’t my kind of thing.’ Maybe they like fairy-fantasies, or scary-fantasies … or hairy-fantasies. So I’ve done my best to focus on what the Lifesong offers and what kind of readers would like it.

First up is a series introduction, to appeal to as many people as possible. When I started the Tale of the Lifesong fantasy series I was aiming to seduce readers from beyond the narrow confines of the fantasy genre. Since the overwhelming majority of respondents to my current fantasy novel giveaway on Goodreads are women, this informed the colours I chose and the idea of ‘being swept away’ to entice readers with a romantic idea of fantasy rather than a dark and gritty style used in an advert targetted at men. I’m aware that the GoodReads site is mainly frequented by women aged 18-24, so this could account for the high number of female respondents, but I’ve always known that my readers are more likely to be female. Most of my male friends don’t read novels; they do stuff. So here’s one for the girls:

Banner ad for the Tale of the Lifesong fantasy series

Then I needed something to promote the first book on its own. My work centres around the ideas of magic. It was always what I felt was missing in a lot of fantasy, particularly in The Lord of the Rings. Gandalf would just smack his staff down and say ‘You will not pass’ and there’d be, like, light and the Ballrag would fail, but I always wanted to know, how did it work? I mean, really, how did he do it? With this idea in mind I set out on a quest to unravel the mysteries. If you’re intrigued by the idea of magic, you’ll probably love the books, so this ad is all about the idea of having a talent for magic and holding onto it. Unfortunately the exploding sprite makes Google Adwords flag it up for ‘strobing/flashing’ so I had to pause the ad at the end and not loop it. Gee, thanks Google. Just imagine what kind of adverts we’d be getting if advertisers were allowed to flash at us.

Banner advert for the fantasy novel The Riddler's Gift
The tone of the second novel is definitely grittier and more chaotic. It is more hard-boiled high fantasy. If you’re interested in Second Sight, you’ve probably already read The Riddler’s Gift. If you weren’t a fantasy reader before, I’ve successfully converted you! So in the final one I show my true colours:

Banner ad for the fantasy novel Second Sight