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Posts Tagged ‘dark fantasy’

Last Argument of Kings by Joe Abercrombie

24 May

Last Argument of Kings by Joe AbercrombieWhatever it was that Mr A withheld in the second part of his dark heroic fantasy trilogy, he brings it back with tripled texterity. The magic is back! I was left a bit puzzled at the end of book 2, Before They Are Hanged, wondering if I had misjudged book 1, The First Law – was it really that good?

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Yes, it was! Logen is spectacular. What Mr A achieves here is worth emulating – he makes me care about this barbarian despite the awkward fact that even Logen can’t deny – he is a killer. I don’t like killers. Nobody does. But we really care about this guy. How does he do that? It seems that part of the art is withholding the truth about Logen’s past, giving us glimpses that worsen through the tale, but never enough to overbalance the empathy that develops as we endure hardships with Logen. The crux of it is that Logen is trying to be better than he was. It’s enlightening to learn how much one can forgive a man when is honestly trying. This only makes the horror of what he is and does more intense.

The humour is back: “Jezal sat in a haze of awkwardness, in a dreamlike silence, startling from time to time like a sick rabbit as a powdered footman blindsided him with vegetables.” I giggled myself to tears. My fellow commuters looked on like sheep eyeing a naked farmer. He’s gone mad – is he dangerous?

The characters all develop and (finally) assert their will: West comes into his power, Jezal too, despite the clear sense that all the lead characters are being carried along in events greater than themselves, they also begin to take command of their little patch, which is greatly satisfying to read. And this goes some way to explaining what was going on in terms of character development in book 2 – nothing.

The launch into the story world was expertly planned, and the conclusion was dazzling with a hell of a lot happening. The middle seemed, by comparison, to go nowhere. I was beginning to think that it may be better to take a story in a surprising direction in book 2 or simply eliminate the book altogether – if the plot goes up up and away and comes down with a crunch, we probably don’t need much of the bit in between. But there seems to be a lesson for the characters and this reader in the rambling arc of the middle book – nothing seems to work out the way we want it to. We’re all left feeling disappointed, which sets us up for the finale. I might have set the series aside, but I’m very glad I didn’t.

Bayaz is the best wizard I have ever read of. In the Last Argument of Kings Mr A passes on a revelation about what the wizard was actually doing and the book suddenly came alive! Bayaz is cunning, terrifying, manipulative and untrustworthy, arrogant, too wise, inhumanly inspired, and his magic is more in politics than in spells, yet he doesn’t shy away from destroying someone if he needs to. He is masterfully crafted, and this series is worth studying just for Bayaz alone. He is to be feared.

As the real battle begins in the North, Logen is in his element and the tension around him is incredible. The way the hard men fear and hate him, yet respect him gives you a hint of what he is capable of, yet you aren’t shown the truth of it until you really need Logen to reveal his dark nature, and then there’s this complicated resolution to events where Logen doesn’t ever really save the day (but we want him to).

To write like this is a great achievement, in my opinion. Such despicable people, yet we care about their fortunes and want them to do right, in the end. It would be so easy to slip up in the telling, to lose the reader in a moment of revulsion and never regain the interest in the character. Mr A comes very close sometimes, so expect a bloody tale. But then the barbarian gets philosophical, and I’m speechless with respect for Logen (and his creator, back there in the shadows):
“You can have enemies you never really meet, Logen had plenty. You can kill men you don’t know, he’d done it often. But you can’t truly hate a man without loving him first, and there’s always a trace of that love left over.”

Five stars. Now sneak over to Joe Abercrombie’s website and watch what he’s up to. I know I’m going to. I just hope Bayaz doesn’t (ever) notice me.

 

Before They Are Hanged by Joe Abercrombie

28 Mar

Fantasy novel: Before They Are Hanged by Joe Abercrombie

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This is the second book in The First Law fantasy trilogy. The Dogman leads us into the sequel with a strong voice, and seems to have taken over from Logen Ninefingers as the issuer of pithy barbarian proverbs and gritty wit. The story runs fast in the style of the trilogy, where there are no heroes, just survivors, or rather people with a strong determination to not die.

Abercrombie’s strength is his characterisation, and he delivers incisive insights into the nature of his ruffians and rogues which carry the story with wry humour. If you don’t think too hard about it, the tale is a lot of fun, particularly for those who enjoy watching a good fight.

The first cracks in a potentially great fantasy series appear in the plotting. The questers go on a seemingly endless journey to ‘find’ the talisman for the wizard, but it becomes obvious that the wizard can’t be trusted and will use the power for his own ends. At this point I’m asking myself “What is Logen’s motivation to risk almost certain death and hardship?” The assassin Ferro Maljinn has even less motivation. She was hunted by the invincible Eaters at first, but they seem to have abandoned the chase entirely. She’s been told she will get her revenge, but she’s not that stupid to believe the wizard. None of them would repeatedly risk their life without being shown exactly what the quest was about. Maybe there were better motivations devised for the characters but they weren’t obvious.

The conceited soldier Jezal gets some of the arrogance kicked out of him and so becomes more interesting, but he still lacks a compelling motivation for following the quest and any real ambition we can empathise with. Glokta, the crippled torturer, survives in a world of politics and subterfuge only by being clever. We feel his vulnerability, but I’m not rooting for him anymore, because he doesn’t seem to have any ambition beyond survival.

There are bright instances of great descriptive writing: sharp, clean and evocative. But on the whole the crassness of the characters and the pointlessness of the quests, battles and political intrigue create a world that can become tiresome. The story lacks the magic of the first and leaves me thinking that the ‘delightfully twisted and evil’ review quote on the cover might be appropriate. It’s still a good fantasy due to the arc from the first book and my hopes for the third, but the trail between them is bloody.

Before They Are Hanged: The First Law: Book Two

 

What’s so fantastic about The Blade Itself?

18 Oct

The Blade Itself - Joe Abercrombie

Snap review: 5 stars, a dark, gritty and wry fantasy based on the sword-and-sorcery and epic fantasy templates. There’s no safe middle ground here: you’ll either love the raw gleeful energy, or you’ll find it too slapstick and cynical. Joe Abercrombie’s prose is deadly: witty and violent, well plotted and brilliantly told.

I was reluctant to begin a book with a blood-spattered cover lauded as ‘delightfully twisted and evil’. I’m not a psycho. I don’t fantasise about blood. But as a fantasy author, I want to know what’s happening in the fantasy genre, and so I stuck my neck out and got it chopped right off by the blade itself. It’s not what I was expecting. The Blade Itself is personal, brutish, and brilliant. Joe Abercrombie really packs it in, and I get the feeling that he takes great pleasure in writing this way. If he doesn’t like someone, they get smacked.

His characters scream “Character!” In a few lines of dialogue we meet some unforgettable rogues. Logen’s viewpoint shines! To enter a city for the first time and see all of its strangeness through the eyes of a barbarian was so very funny. (I felt not unlike a South African arriving in London). The book is worth reading for this character alone. But Abercrombie himself is the lead character – he expresses himself so strongly that I found myself wanting to read on just because of the way he told his story.
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The first law of selling fantasy novels

12 Oct

The First Law fantasy series ... with a holeI heard about the Joe Abercrombie’s fantasy series, The First Law, on the internet, so I went to Amazon, because it was the closest retailer. I bought number one, The Blade Itself, as a used book for less than half price. Most people buy from the cheapest and most convenient source.

That’s bad news for bookstores, that’s bad news for Mr. A: they don’t get a cent from that because it’s a used copy. But I usually try new authors via discounted copies, because it limits my gamble … or maybe it’s because I’m just cheap.

I thought it was an excellent fantasy novel, so I went looking for the second book, Before They Are Hanged. Being on holiday, away from the wonders of Amazon and short of cash, I began in the remainder store. I couldn’t find it, but I found the third book, Last Argument of Kings, for less than half price. More bad news for Joe Abercrombie: he won’t get royalties for remaindered books unless he has an abnormal publishing contract. I tell myself that at least I’ve supported part of the system that helps to keep Joe’s publisher in business.  Which is just rubbish: Joe is still not being paid for his work.

So, being a fantasy author myself I resolved to Do The Right Thing, and buy a full priced copy from a Real Bookstore. After driving, parking, walking, browsing … here’s the thing: it wasn’t on the shelf. They had book one and three, but not two. They weren’t planning on stocking book two because the series wasn’t selling strongly enough in that particular store, and therein lies the fundamental problem for bookstores and authors with series fantasy. The stores will develop gaps in stock and you lose readers through those gaps. Sure, I could have got them to order it in, but I couldn’t be bothered to go back to the store.

JoeAbercrombie.com pointed me back to the solution: Amazon, where I could buy the book for about half price including delivery (assuming I was in Amazon country, which is most of the market anyway). From that sale Mr A. can collect his royalty and the publisher makes a bit. It’s plain to see that the bookstore doesn’t have much future in this space unless it is exceptional at anticipating demand.

I love modern bookstores, I love all those new books crammed together, the impression of a marketplace of fresh ideas, combined with the helpful staff and their tireless efforts to create appealing book stacks. But they will never have the stock range, convenience or price advantage of Amazon. Their recommendations will never be as complete as the reviews available online. Authors, being the rogues of enlightened self-interest that they are, will point their readers to the most reliable supply system that still yields a royalty sale (and some affiliate commission too): Amazon.

We already see blockbuster bestsellers in supermarkets. I suspect that bookstores will have to downsize to survive, and will soon stock only expensive coffee-table books and children’s colour books: books with high prices and therefore enough profit to support the cost of shelf space, things that sell based on their visual appeal and so need to be displayed. Most fiction, especially series fantasy? I don’t think we will see it in the bookstores for much longer, and unless it’s phenomenal it won’t be in the supermarkets either; it will all end up on Amazon, and only on Amazon, because it is the cheapest and most convenient.

And so the mighty river grows.

 

Fantasy book review: The Runes of the Earth by Stephen Donaldson

22 May

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The Runes of the Earth is Book 1 of The Last Chronicles of Thomas Covenant by Stephen R. Donaldson, and it is the ambitious finalé, a trilogy of chronicles which will be ten books, in the end. I didn’t like the cover at all, but I would have bought it even if it were pink! It was a great moment – the return to fantasy of one of the masters.

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I didn’t enjoy Stephen Donaldson’s foray into science fiction (the Gap series), which was sad because I really believe Mr Donaldson has a real talent for fantasy. Some of the best pieces ever written are in his short story collection (Reave the Just, and the Killing Stroke) as well as his Mordant’s Need books. He is diabolically devious, his plots keep me guessing and his characters are often personifications of psychological qualities (like despair, spite, innocence, service) which makes the conflicts and their resolutions powerful and unsettling. None more so than the Thomas Covenant series, where the archetypes battle it out on the rarified stage of the Land. I couldn’t imagine how Mr Donaldson could devise a way to make a Third Chronicles believable, since the main character (it’ll always be Thomas Covenant) is dead.

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A fantasy novelist with diabolical talent

01 May

I was intrigued by the cover design of The First Chronicles of Thomas Covenant, the Unbeliever (by Stephen R. Donaldson). The book is quite dark, and brilliant.

So much pain, the grief, the pages and pages overrun with the burning tears of despair. The loss, oh Lena! the loss. There is no reprieve – Thomas Covenant’s world and the Land are slashed into bleeding shreds. The more the beauty of Life is perceived, the more there is to lose and the greater the pain. In his leperous numb responses Covenant rebuffs some of the sharper grief, but this merely deflects the full impact of despair onto the reader. Ah! Saltheart Foamfollower, the burden you have been given. Trell Atiaran-mate, Gravelingas of Stonedown, my friend! Your strength surpasses the heroic, and yet still you are crushed mercilessly and slowly by the ever tightening twists of the ill fate that are woven by Despite around those we love most. Read the rest of this entry »