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Posts Tagged ‘fantasy writing’

In conversation with Fantasy Book Review

19 Aug

A few years ago, Lee at Fantasy Book Review set out on a quest to find the top 100 fantasy books of all time. In a unique approach, the books are rated between 0.0 and 10.0 which offers a much more precise appraisal than the usual 5 star scale. This allows for an interesting ranking system which is enriched as more books are added. At the moment the book count is around the 250 mark. The Riddler’s Gift was reviewed in 2008 and has held its own on the chart amongst books by David Gemmell, Stephen King and Juliet Marillier. Lee’s review of Second Sight is imminent.

The website is dedicated to reading and reviewing the very best fantasy books for children and adults (both young and old). Featuring interviews, the latest fantasy news, audio-book reviews and competitions Lee provides fantasy fans around the world with a useful, interesting and informative guide to the genre. We chatted about plotting, designing, flying … and madness.

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FBR: You have an alter-ego as a paragliding instructor. Do the extreme sports influence your fantasy writing?

Well of course! Paragliding is full of maps and quests. We fly off to strange lands (sometimes that’s Essex). The perspective I get from flying helps me to view the world with some detachment, which leads to ideas of the rise and fall of civilisations, and the passage of great spans of time. The air is a beautiful realm and that stimulates a lot of creativity. There are also more obvious influences: in the Lifesong you’ll find descriptions of the wind whistling under the wings of the dragon, of riding a gyphon, of being snatched up by a winged demon, and a wizard who likes base-jumping. I also studied marshal arts for many years – I use that knowledge to understand how my characters survive in a fight. An appreciation of risk and how one can feel alive in the face of fear drive my action scenes. Years of surfing taught me to find the calm place at the centre of power; the balance point. All this goes into my writing … or at least, I understand these things and so they shape the story as it emerges.

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Posted in Greg Hamerton, Science Fiction Fantasy News

 

A masterpiece of fantasy

12 Aug

Memory and Dream by Charles de Lint - a masterwork of fantasy writingMemory and Dream by Charles de Lint

This story had a deep impact on me. It opens with an innocent sketch in a town square; it soon becomes a deeply engaging study of the act of creation and the mind of an artist.

If I took out my editor’s pencil, I’d only be able to mark one paragraph in the entire book, where a minor character is granted a bit too much page space to rant about his over-intellectualised opinions of art. It is in character though. And that’s it. The single tiny flaw I was aware of, if flaw it is. I mention it only to show that I attempted to be critical, but could not really find fault. The story is mostly flawless, and breathtaking.

There is a twist that throws a new light on the whole story, right at the end, which as a reader is an absolute delight. As my mind recapitulates the tale I get a new version and insight into what I’ve already learned. This is so satisfying, it’s as if I get two stories for the price of one, this deepening of the experience is something I intend to incorporate into my own writing. I shall read more of Charles de Lint’s work. He is a master of his art. He deserves study. Maybe, even, demands it.

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Posted in Fantasy Book Reviews

 

Developing creative consciousness for fantasy writing

25 Jul

Reading fantasy fiction allows us to dream in a very vivid way. Writing fantasy fiction takes the dreaming to another level. You are the dreamer who leads the dream, the creator of the dreamworld. It is the most powerful kind of meditation, an experience of controlled psychosis that results in a prolonged experience of altered consciousness. In this article I will examine ways in which you can induce the receptive state, how you can deepen the intensity of the dream, and how to hold onto the vision for a more profound writing experience.

1. Hearing the music of the mind
Consider music. It is a patterned structure of sounds which you follow in your mind. You find pleasure and enlightenment by following the composer’s creation. The further the musical piece takes you outside of your body, beyond the mundane world, the greater the enjoyment. A masterpiece lingers in your mind leaving you with an altered sense of reality, if only for a while. You believe wonderful things are possible. You are inspired.

Fiction is very similar. Critics who insist on moral instruction, political messages or historical fact miss the musical aspect of writing altogether. A novel is a composition, a concert of ideas, a melody of story played within an orchestra of dreams. It is woven in a particular way by the author to bring about the mental crescendo and ecstacy. Some scornfully label it escapism, as if that means it is less worthy of literary merit than a stuffy book of factual realistic torment. I see escapism differently. If a book is capable of transporting me to escape my reality, then it is a mighty success. In a good novel you get to experience things beyond your world and in some delightful way your power of imagination can be challenged, you can be gripped by raw emotion, and you can find release.

As a writer, the deeper you can sink into the dream you are creating, the more powerfully this music of the mind comes through. Listening for it often means forgetting what you are trying to write (the plot) and to become swept away by the visions (the passion).

As you try to record your visions, you can enhance this receptive mental state by following the principles mentioned below.

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Posted in Writing Fantasy

 

Wicked fantasy author interview

25 Jul

This interview was conducted in June 2007 by Something Wicked Magazine, when Viane Venter talked to Greg Hamerton about The Riddler’s Gift.

The average South African ‘best-seller’ comes in at just 4000 copies, and with writers typically seeing less than 10% of the returns, it’s anything but a get-rich-quick profession. In a market of ‘serious’ and ‘worthy’  novels, fantasy fiction is an even tougher nut to crack, but there are some hungry young newcomers who plan to do just that.

Greg Hamerton is the author of Beyond The Invisible and a guidebook for Paragliding South Africa. This year sees Greg’s fantasy debut with the release of the first tale in the Lifesong series, The Riddler’s Gift.

How did you become a writer?

Writing didn’t even feature on the radar when I was at school. It was never presented as a possible occupation. I did a B.Com to do the whole ‘go out and get a sensible job’ thing, which helped quite a lot in fact. It hadn’t entered my consciousness to become a novelist. I eased into writing with magazine articles on extreme sports and once published, I started enjoying seeing my own words in print. I progressed to Beyond The Invisible, which is half autobiography and half fiction. It was a natural first step to draw on my own experience. Writing is a merciless profession to go into though – that’s probably why they didn’t tell me about it at school, and writing non-fiction now seems like a school project by comparison to a novel. It’s also a lot easier to sell, because it’s specialist information that people attach a value to. Fiction is a really tough market to crack until you move into the tens of thousands.

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Posted in Greg Hamerton, The Riddler's Gift, Writing Fantasy

 

Why is it so hard to get a fantasy novel published?

10 Jul

Most books within the fantasy genre are produced by a very few (big) publishing houses in the UK and USA. These are the houses that can afford to take the risk on large print runs because they have many other titles too. They also have significant advantages in economies of scale (cheap distribution, discounted printing, efficient representation to the stores). They produce a few fantasy titles (bad luck, authors) in big volume. Big volume is necessary for most kinds of book printing, but fantasy is the most critical, certainly within fiction.

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Posted in Writing Fantasy

 

On writing a fantasy novel

05 Jul

A question and answer session on what it’s like to write a fantasy novel (written when the first tale in the Lifesong fantasy series was released).

Q : How long did it take you to write The Riddler’s Gift?

A : Two years, full time. I find it impossible to write something with this scope in a ‘few stolen hours a day’. So I didn’t work on anything else for two years. It gets easier when you’re isolated. On a normal writing day I’m in my writing room by 8am and I don’t come out until 5pm, sometimes later. There’s no telephone in there, no internet connection. Just the white page, and the blinking cursor. If I don’t write, I know I’m in for a boring day.

Q : Does this ‘isolation style’ of writing put a strain on relationships?

A : Well, yes it does, at times I want to do nothing else than write. It’s a selfish occupation for most of the time. But my wife is my biggest fan, and she supports my writing immensely, so she’s happy to leave me alone in my eyrie. She does plead with me to read early drafts of the work in progress, but I don’t let anyone read those. It’s like showing someone a painting while you’re still mixing the colours on the canvas – it’s always going to be a poor reflection of what you’re aiming for.

Q : Where do you get your inspiration from?

A : Visions. For me it’s a process of being receptive. I meditate every morning at the beginning of my writing session, I try to dissolve my ego, to disappear as a conscious entity. It sounds kinda weird but it’s really just closing your eyes and letting go. Then I shift my awareness towards Eyri, and see where I pop up. I write what I see, no matter how ridiculous it seems.  I just try and be a witness, without judging.  Some days I’m on fire. Some days I just see the blinking cursor, and hear the rain on the roof. That’s why I’ve got to be there every day. I still don’t know when the inspiration will hit me, I can’t invoke it beyond just being in a place where I can use it when it comes.

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Posted in Greg Hamerton, Writing Fantasy

 

Who writes the best fantasy?

02 Jul

I’ve wandered through a hundred books, searching for a good tale. What is it I am looking for in a story? More than entertainment (or I’d just switch on the TV). I want to have my reality replaced, redrawn. Reinvented. I want that sense of discovery. I want to become someone new. And so I search, for a touch of mystery, an edge of danger, a spark of intrigue and that doorway into the world beyond this world. I have yet to find all the elements I love in one book … which is probably why I’m a fantasy author myself. I write, to answer the need — to find the perfect fantasy story.

Along the way, I’ve come across some shining examples of fantasy. Read the rest of this entry »

 
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Posted in Fantasy Book Reviews, Lifesong, Writing Fantasy

 

How to make magic happen

25 Jun

The hunger for magic is universal, most people have it in some way or another. People pray, hoping their thoughts will influence reality (or hoping that God will intervene on their behalf, which is kind of the same thing, except that someone else performs the magic). The Secret (by Rhonda Byrne) was enormously successful, which mostly proves that people wanted to hear its message. It made over 1 million sales soon after the DVD was released, and its primary message is ‘what you think creates the world you live in’, in other words: your success is dependant on your visualisation of that success.

This is magic. There isn’t much science to back these assertions up. Yet people believe. Why is there such a hunger and need to believe? Read the rest of this entry »

 
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Posted in Writing Fantasy

 

The real magic of fantasy writing

22 Jun

When I was thirteen, I went to the College of Magic, to learn all I could. It was kind of a Harry Potter school for stage magicians – there are rabbits coming out of hats, white doves flapping about and silk scarves that turned into ropes. I sat down eagerly to my first class, apprentice wizard that I was. I was told there is no magic. I was told it is all illusion, all trickery, all a sham. I couldn’t have been more disappointed.

What followed were three years of interesting sleight of hand techniques, visual effects and misdirection. They were right; there was no magic in it. They only used clever dyes, trick card decks and boxes with false bottoms. But I did not believe them that there was no magic at all. It was just that they had no magic to offer.

I believe in magic, and so I found a way to work with it, or rather, it found me.
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Posted in Writing Fantasy

 

Why fantasy needs kick-ass chicks

06 May

There’s a good reason why Keeping it Real (by Justina Robson) works.

It starts on the front cover. Lila has a blend of sass, hardcore metal and intriguing curves. Damn, she’s the coolest cyborg ever, and it’s a very hard act to beat the Terminator.  But when it comes to actually buying a book, I want at least 500 pages for my money. I want to get lost in an intriguing fantasy world for days. So at 279 pages I already have major resistance with Keeping It Real.

I turn it over. And the basic premise of the story gets me.

The Quantum Bomb of 2015 tears the fabric of reality, and the realms of demons and elves and humans become enmeshed. I smile, deep inside. Aah! Robson has made it possible … she’s created the world for all my favourite Warcraft characters, in the here-and-now. It’s not hard to believe, and she makes it all sound so sexy, in a strange blade-in-your-back leather-and-combat dark kind of way. I’m hooked. Read the rest of this entry »

 
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Posted in Fantasy Book Reviews, Writing Fantasy

 
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