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Posts Tagged ‘writing fantasy’

How to find a fantasy publisher

27 Aug

The new fantasy novel is all ready to print! Or is it?You’ve written your first fantasy novel. You’ve gone over it a hundred times, checked spelling, grammar and done all manner of editing tweaks with every fine toothcomb you can find. It is perfect. Ready to print, in your opinion. It’s practically burning a hole in the table, the magic is so hot.

But you’re a step ahead of the game. You know you don’t want a pile of books under the staircase, or another POD book in the sparkling obscurity of a bottomless online catalogue … you want to be in print and on the bestseller lists. For that, you probably need a fantasy publisher. So how do you find one?

1. First, write up a synopsis (a summary in 2 pages), a query letter including what subgenre your novel is, like high fantasy or steampunk and a totally intriguing ‘blurb’.

2. Try to find a publisher in your own country that specialises in that kind of book and approach them. You have a much greater chance because you are a local fantasy author and can be promoted as such. Each country has a publishers’ association with a list of publishers. For instance, in South Africa, look on www.publishsa.co.za. To give you a starting point, find a book that is similar to yours on the bookshelf of your local bookstore, or online retailer. See who published that.

In smaller markets, the problem is that most of the fantasy on the bookshelves is published by UK or US based publishers. This is because of economies of scale – big markets support big publishers with big print runs leading to the cheapest end product which can be exported to small markets cheaper than any competing local products which are produced in small runs.

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In conversation with Fantasy Book Review

19 Aug

A few years ago, Lee at Fantasy Book Review set out on a quest to find the top 100 fantasy books of all time. In a unique approach, the books are rated between 0.0 and 10.0 which offers a much more precise appraisal than the usual 5 star scale. This allows for an interesting ranking system which is enriched as more books are added. At the moment the book count is around the 250 mark. The Riddler’s Gift was reviewed in 2008 and has held its own on the chart amongst books by David Gemmell, Stephen King and Juliet Marillier. Lee’s review of Second Sight is imminent.

The website is dedicated to reading and reviewing the very best fantasy books for children and adults (both young and old). Featuring interviews, the latest fantasy news, audio-book reviews and competitions Lee provides fantasy fans around the world with a useful, interesting and informative guide to the genre. We chatted about plotting, designing, flying … and madness.

Fantasy Book Review logo

FBR: You have an alter-ego as a paragliding instructor. Do the extreme sports influence your fantasy writing?

Well of course! Paragliding is full of maps and quests. We fly off to strange lands (sometimes that’s Essex). The perspective I get from flying helps me to view the world with some detachment, which leads to ideas of the rise and fall of civilisations, and the passage of great spans of time. The air is a beautiful realm and that stimulates a lot of creativity. There are also more obvious influences: in the Lifesong you’ll find descriptions of the wind whistling under the wings of the dragon, of riding a gyphon, of being snatched up by a winged demon, and a wizard who likes base-jumping. I also studied marshal arts for many years – I use that knowledge to understand how my characters survive in a fight. An appreciation of risk and how one can feel alive in the face of fear drive my action scenes. Years of surfing taught me to find the calm place at the centre of power; the balance point. All this goes into my writing … or at least, I understand these things and so they shape the story as it emerges.

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Developing creative consciousness for fantasy writing

25 Jul

Reading fantasy fiction allows us to dream in a very vivid way. Writing fantasy fiction takes the dreaming to another level. You are the dreamer who leads the dream, the creator of the dreamworld. It is the most powerful kind of meditation, an experience of controlled psychosis that results in a prolonged experience of altered consciousness. In this article I will examine ways in which you can induce the receptive state, how you can deepen the intensity of the dream, and how to hold onto the vision for a more profound writing experience.

1. Hearing the music of the mind
Consider music. It is a patterned structure of sounds which you follow in your mind. You find pleasure and enlightenment by following the composer’s creation. The further the musical piece takes you outside of your body, beyond the mundane world, the greater the enjoyment. A masterpiece lingers in your mind leaving you with an altered sense of reality, if only for a while. You believe wonderful things are possible. You are inspired.

Fiction is very similar. Critics who insist on moral instruction, political messages or historical fact miss the musical aspect of writing altogether. A novel is a composition, a concert of ideas, a melody of story played within an orchestra of dreams. It is woven in a particular way by the author to bring about the mental crescendo and ecstacy. Some scornfully label it escapism, as if that means it is less worthy of literary merit than a stuffy book of factual realistic torment. I see escapism differently. If a book is capable of transporting me to escape my reality, then it is a mighty success. In a good novel you get to experience things beyond your world and in some delightful way your power of imagination can be challenged, you can be gripped by raw emotion, and you can find release.

As a writer, the deeper you can sink into the dream you are creating, the more powerfully this music of the mind comes through. Listening for it often means forgetting what you are trying to write (the plot) and to become swept away by the visions (the passion).

As you try to record your visions, you can enhance this receptive mental state by following the principles mentioned below.

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Wicked fantasy author interview

25 Jul

This interview was conducted in June 2007 by Something Wicked Magazine, when Viane Venter talked to Greg Hamerton about The Riddler’s Gift.

The average South African ‘best-seller’ comes in at just 4000 copies, and with writers typically seeing less than 10% of the returns, it’s anything but a get-rich-quick profession. In a market of ‘serious’ and ‘worthy’  novels, fantasy fiction is an even tougher nut to crack, but there are some hungry young newcomers who plan to do just that.

Greg Hamerton is the author of Beyond The Invisible and a guidebook for Paragliding South Africa. This year sees Greg’s fantasy debut with the release of the first tale in the Lifesong series, The Riddler’s Gift.

How did you become a writer?

Writing didn’t even feature on the radar when I was at school. It was never presented as a possible occupation. I did a B.Com to do the whole ‘go out and get a sensible job’ thing, which helped quite a lot in fact. It hadn’t entered my consciousness to become a novelist. I eased into writing with magazine articles on extreme sports and once published, I started enjoying seeing my own words in print. I progressed to Beyond The Invisible, which is half autobiography and half fiction. It was a natural first step to draw on my own experience. Writing is a merciless profession to go into though – that’s probably why they didn’t tell me about it at school, and writing non-fiction now seems like a school project by comparison to a novel. It’s also a lot easier to sell, because it’s specialist information that people attach a value to. Fiction is a really tough market to crack until you move into the tens of thousands.

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Useful books for writers

15 Jul

AC&Black, Writer’s & Artists Yearbook
The complete directory of all the agents and publishers in UK (and also USA).

Carole Blake, From Pitch to Publication
Understand what an agent does and how the whole process of manuscript submission works.

Strunk and White, The Elements of Style
Write better. Simpler. Without extra words.

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On writing a fantasy novel

05 Jul

A question and answer session on what it’s like to write a fantasy novel (written when the first tale in the Lifesong fantasy series was released).

Q : How long did it take you to write The Riddler’s Gift?

A : Two years, full time. I find it impossible to write something with this scope in a ‘few stolen hours a day’. So I didn’t work on anything else for two years. It gets easier when you’re isolated. On a normal writing day I’m in my writing room by 8am and I don’t come out until 5pm, sometimes later. There’s no telephone in there, no internet connection. Just the white page, and the blinking cursor. If I don’t write, I know I’m in for a boring day.

Q : Does this ‘isolation style’ of writing put a strain on relationships?

A : Well, yes it does, at times I want to do nothing else than write. It’s a selfish occupation for most of the time. But my wife is my biggest fan, and she supports my writing immensely, so she’s happy to leave me alone in my eyrie. She does plead with me to read early drafts of the work in progress, but I don’t let anyone read those. It’s like showing someone a painting while you’re still mixing the colours on the canvas – it’s always going to be a poor reflection of what you’re aiming for.

Q : Where do you get your inspiration from?

A : Visions. For me it’s a process of being receptive. I meditate every morning at the beginning of my writing session, I try to dissolve my ego, to disappear as a conscious entity. It sounds kinda weird but it’s really just closing your eyes and letting go. Then I shift my awareness towards Eyri, and see where I pop up. I write what I see, no matter how ridiculous it seems.  I just try and be a witness, without judging.  Some days I’m on fire. Some days I just see the blinking cursor, and hear the rain on the roof. That’s why I’ve got to be there every day. I still don’t know when the inspiration will hit me, I can’t invoke it beyond just being in a place where I can use it when it comes.

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The real magic of fantasy writing

22 Jun

When I was thirteen, I went to the College of Magic, to learn all I could. It was kind of a Harry Potter school for stage magicians – there are rabbits coming out of hats, white doves flapping about and silk scarves that turned into ropes. I sat down eagerly to my first class, apprentice wizard that I was. I was told there is no magic. I was told it is all illusion, all trickery, all a sham. I couldn’t have been more disappointed.

What followed were three years of interesting sleight of hand techniques, visual effects and misdirection. They were right; there was no magic in it. They only used clever dyes, trick card decks and boxes with false bottoms. But I did not believe them that there was no magic at all. It was just that they had no magic to offer.

I believe in magic, and so I found a way to work with it, or rather, it found me.
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Why a good story is (mostly) a good laugh

10 Jun

I’m reading The Light Fantasic, a Discworld novel by Terry Pratchett. It’s his second book, written in 1986, when he must have been about 35 years old. I’ve got to the point (fairly early on) where I don’t care what he does with the story, the plot can go nowhere and I’ll still be contented, because he has made me laugh. He’s demonstrated very witty word play, and some images that are just so damn funny. He’s poked a finger at things everyone has been foolish about (like the tooth fairy) and by making me see how ridiculous they are, I have been won over (what’s she live in, then, a castle made of teeth?)

It makes me realise that readers just want to enjoy the book, that’s all, and if you can’t write something the reader is going to take delight in, its not going to work. It can be dark, it can be scary, but it must be delightful, wonderful; attractive.

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